Singer and Storyteller Germana Stella La Sorsa to release second studio album “Primary Colours” on January 26th 2024. With special guest Australian harpist Tara Minton and featuring Sam Leak, Tom Ollendorff, Jay Davis

“...powerful and refreshing vocal.” Jazz Journal

"There is a sort of positive melancholy in Germana’s vocal performance, you hear a link to the tradition yet at the same time it’s fresh and forward facing."  Jazz in Europe

Two years since her debut album Vapour,  Italian London-based singer and storyteller Germana Stella La Sorsa proudly announces the release of her second studio album, Primary Colours. Supported by Help Musicians, Primary Colours is released by 33 Jazz Records and distributed by The Orchard.

La Sorsa has released three singles: 'Black' in October 2023, 'Blue' in November 2023 and the title track 'Primary Colours' in December 2023. The album features long-time collaborators Sam Leak on Hammond Organ and Jay Davis on drums, with the addition of guitarist Tom Ollendorff and special guest Australian harpist Tara Minton.

Primary Colours contains 7 original compositions reflecting La Sorsa's musical influences - such as Gretchen Parlato, Bobby McFerrin and Jeff Buckley - and drawing upon her eclectic background and skilful voice, as well as the band’s versatility, to create something fresh, new and unexpected. The music explores drum’n’bass grooves, latin influences and free improvisation.

Primary Colours is a concept album that draws parallels between the art of colour and musical narration.

“With this album I wanted to share something more deep and intimate than my first release. I was galvanised to create something the listener can relate to through the association of colours and feelings – through stories.'Primary Colours' is about how base human feelings and life experiences interconnect and interact with each other - ultimately leading to life changes - just like primary colours and shades combine themselves, creating new tones.” Germana Stella La Sorsa

Following this idea, each track on the album conceptually flows from the last and into the next, always keeping the listener interested and engaged. The track that opens the album is 'Black' – the first single – with which La Sorsa opens up about her struggle with depression. With this surprisingly cheerful and lively tune, the singer shares about battling her condition with awareness, drawing upon the moments in which she lightheartedly accepted loneliness and dismay.

It invites the listener to dive into the quartet's synergetic interplay and improvisatory freedom.

Featuring Australian harpist Tara Minton, 'Blue' – the second single released - is a contemporary bossa-nova influenced ballad inspired by the singer's country of birth, Italy, and in particular her hometown Taranto (Puglia). Composed with the musical contribution of La Sorsa's Italian colleague and friend, guitarist Francesco Bellanova, 'Blue' has Italian lyrics dedicated to motherhood and to the singer's first son - a love lullaby that could remind him that she'll always be his safe harbour, as her hometown is for her.

“ 'Blue' is about that safe place that you can always come back to; where you'll always belong. For me, that's my homeland and my roots, so inevitably the sea and the sun, which are the things that I've missed the most since moving to the UK. At first, I felt quite self-conscious about writing in Italian. I guess it makes me feel more exposed in some way. Then I got very enthusiastic about sharing my roots in my mother tongue...it just made sense to write something my fellow Italians and my son would easily understand. The song was previewed at the Taranto Jazz Festival last summer, and I was pleased to discover everyone loved my writing in Italian.”

On special guest Tara Minton, La Sorsa states: “She is an extraordinary artist. From our first encounter it was clear that we were artistically and humanly on the same page. She is from Melbourne, so I knew that she would understand my deep connection with the sea and how to give expression to this.”

 The title track and last single 'Primary Colours' expresses the message of the album. It states how experiences and feelings mix together to change one's perception of things, ultimately leading to one's feeling grounded, aware and self-reliant.  The tune is an invitation to embrace life's events with curiosity and confidence.

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The new album from Abbie Finn launching January 15th 2024 at Pizza Express! Tickets here

The ‘Abbie Finn Trio’ are based in the North-East and we are made-up of Harry Keeble on Tenor Sax, Paul Grainger on Double Bass and myself on Drums. We play contemporary, original jazz music focusing on varied rhythmic concepts and heavy improvisation, whilst also nodding to more traditional jazz taking inspiration from artists such as Dexter Gordon, Sonny Rollins, Art Blakey, Tubby Hayes, Joe Henderson, Max Roach and many more.

Our new album Stotties For Three is an album that for me, highlights the best in life. Friends/family, good music, following your passions and the most basic things, like good bread. Of course, I chose to highlight a traditional northern bread – the stottie. It’s not flashy, it’s not fancy, it’s bread in its most basic form. I know I speak for the trio when I say we love the North-East and we love the food here. The group often share lunch together after a rehearsal and this is a popular choice from local bakeries. For me, good food is what life is all about… as you might have guessed from some of my previous trio tune names! I’m so proud of what we’ve accomplished thus far and I’m excited to see what the future brings for the band.

This year I had a feature in the Jazzwise April edition and was dubbed the ‘one to watch this month’ and a ‘crucial member of the thriving North-East scene.’

 We have released 3 albums, the 4th is to be released next year and was funded by the Ronnie Scott’s charitable foundation. This year we focused on our release ‘On Pink Lane’. This iconic street in Newcastle housed the old Jazz Café and the renowned jam session where the band first played together. In 2020 we released our debut album ‘Northern Perspective’ which received rave reviews and radio plays across the UK and beyond. The album was dubbed ‘Exceptional British Jazz’ by Chris Philips of Jazz FM and ‘An album I come back to time and again.’ It featured a mix of original music and my arrangements of some favourite tunes. In 2022 we released our 2nd album ‘Live at the 2021 Newcastle Jazz Festival’. This featured a notable performance of Mingus’ ‘Goodbye Pork Pie Hat’ amongst others. The band have performed across the UK at many venues and festivals including Manchester Jazz Festival, Hexham Jazz Festival, The Cockpit in London, Band on the Wall, Jazz at the Lescar in Sheffield, Durham Jazz Festival and more.

Abbie Finn website here

"Life's a gig, it doesn’t pay much but it costs a lot." I said that at a party one evening, whispered it imitating Miles Davis. We all laughed. Truth is that life has offered me a lot. All I've ever wanted was to sing this beautiful music and make a living from it. I never thought I would also find family. Community. This album is meant to represent exactly that. Just family coming together singing tunes we've sung countless times before. I feel truly blessed to know Chris McCarthy (piano) and Kayla Williams (Viola - Jolene & Fall in Love With Me in Fall). They both carry this music with such integrity and ease. I want to flower my family with love. Arleen Simmons Gould and Hollis Gould are directly responsible for the voice that you hear on this album. Without their support and unending love, well, this gig called "life" would be undesirable, and without swing. My brother Victor Gould, also my favorite musician and composer, handed me my first Ella Fitzgerald & Louis Armstrong album - the rest is history. He is not just my confident, but he paved the path for me, as well. From middle school in Simi Valley, California to the New York Jazz scene, his extraordinary expertise and reputation has inspired me. Life's a Gig. A damn good one.

Our first duo session was September 2016. I had just moved to New York City three weeks prior. One of the tune's we tried that first session was Vanisha's classic "Now That You're Here," and the lyrics represent how I felt then, and still feel about all the possibilities of playing together: "Now that you're here, we should get to know each other. A lifetime of love is something we should both discover. Believe me my dear, if l had known you were here, we would have started this thing long ago." I only wish we had started playing sooner. Seven years and thousands of playing hours later, you're holding our first record. Every gig big or small has deepened our musical connection and led to this collection of our favorite tunes. These songs in Vanisha's voice become stories you can't look away from. Every musical choice I make when we play together is an attempt to complement the genius in every note sung. With Vanisha, the duo format is where I can be most free and myself, with ideals of beauty and swing shared coequally.

Thank you to Jordi Pujol for believing in this project, to Kayla Williams for her unwavering support and beautiful playing on "Jolene" and "Fall in Love With Me in Fall," to my family for everything, to every venue that ever had us perform so we could hone our craft, and to Vanisha for being a musical partner for the ages. Life's a gig worth playing when you're on!

Further from Two For The Show Media here

Vanisha Gould links here

Woman Rising is an Album that captures the intricacies of being a woman. In Mary Sho’s case it captures being black woman, a plus size woman and a creative woman navigating life and relationships. Throughout the Album interludes which she has interview her friends from all different walks of life noticeably draw to the sam conclusions when asked the same question which is a comforting common ground.

Sonically it takes you though late 70's jazz funk to 80's soul groove with elements of rock, pop and afro jazz. She is an amalgamation of all her musical influences growing up.

Ultimately this Album is empower and comfort all women, young and older and for the music to get anyone bopping their heads. Woman Rising is just the beginning its Mary Sho taking flight, rising from girlhood into womanhood.

Mary Sho, a singer and songwriter hailing from South London with a worldwide sound which transcends time and space, offering a home to lovers of authentic, live sounds. Sho’s sound drops you into the late 70’s and early 80’s with tinges of contemporary soul infused with funk origins, creating sounds similar to if Lizzo met Solange met Childish Gambino met Sly and The Family Stone with Thundercat on additional bass!

Armed with live instrumentation and striking, self-directed and self styled  visuals, Sho’s spacey vocals float over bass-heavy, funk-soul sounds. while highlighting the experiences of Black women and owning the power of her identity, mind, body and soul. Mary Sho has been featured on BBC London Radio multiple times and has recently performed at Brixton House (Soho Friends) ans Cafe KOKO. This year she was one of the recipients of Women in Jazz Media 2023 and is Now releasing her debut Album titled ‘WOMAN RISING’ in the world. She will also be performing at The Queen Elizabeth Hall foyer for Southbank ‘Futuretense’ on 30th November

Mary Sho links click here

Tango is the poetry of a city: the the music of passionate fate. DISTANCIA by Solidaridad Tango takes you on a journey from the despair of the pandemic to a celebration of the love and hope that kept us going through our darkest hours. “Distancia” is the Spanish word for “distance”—-this album captures the way people reach across boundaries of place and space, bridging the vast distances from Toronto to Buenos Aires to Kandy in Sri Lanka through music and poetry. 

The album is an emotional roller coaster - a searing portrait of our times and a riotous answer to the divisions that keep us apart. The English lyrics and poetry by Aparna Halpé are unique in the world of tango, where songs are written almost exclusively in Spanish. They capture issues of homelessness, anti-Indigenous racism and discrimination, and the universal experiences of love and loss that haunt us all. Halpé’s compositions are a unique synthesis of multicultural musical influences, while being situated clearly within the language of tango.

The album celebrates emerging women tango composers such as Pétalo Selser and Eva Wolff, while also tipping its hat to the iconoclast of contemporary tango, Julián Peralta. DISTANCIA ends with a poetic land acknowledgement, signaling the band’s commitment to reconciliation practices, an approach further demonstrated in the powerful album art by Oneida visual artist Mo Thunder.

DISTANCIA rocks out with tango, rock, candombe, murga, milonga, and vannam rhythms and melodies, embodying the diversity of this band of women who are changing the face and sound of tango. Described as “bringing tango forward” by Laura Fernandez, host of Jazz FM 91’s Café Latino, this album by Canada’s all-woman tango band is a passionate embrace of life and death, and of the kind of inspiration that arrives at 3AM in the morning, wherever you are in the world.

Valeria Matzner - Vocals

Aparna Halpé - Violin

Suhashini Arulanandam - Violin

Esme Allen-Creighton - Viola

Sybil Shanahan - Cello

Shannon Wojewoda - Bass

Elizabeth Acker - Piano

Eva Wolff - Bandoneón

DISTANCIA will be released worldwide on Friday, November 17th, 2023.

To purchase click here

Solidaridad Tango website

Canadian trumpet virtuoso Nicole Rampersaud is (finally!) launching her debut LP on Friday November 3rd on the Ansible Editions imprint (home to Brodie West Quintet, High Alpine Hut Network and others). Rampersaud has been active since 2008 in projects such as Eucalyptus, and alongside notable players including Anthony Braxton, Evan Parker, Ra-kalam Bob Moses, Joe Morris, Roscoe Mitchell, Nate Wooley, Sylvie Courvoisier, Anthony Coleman, Raven Chacon, and Ig Henneman.

Since 2008, Canadian trumpet player and composer Nicole Rampersaud has relentlessly probed the sonic boundaries of her instrument, crafting exploratory works for it alone that she montages spontaneously into riveting solo performances.  On her debut LP Saudade for Toronto imprint Ansible Editions, she ventures further along this trajectory, augmenting her brilliant, individualistic playing with textural electronic treatments.

Although said electronics play a crucial role in shaping the identity of this recording, it's her expansive lexicon as an acoustic player that drives much of abstraction that transpires. Then Again..., for instance, sees a base of moist, guttural growls stacked with twirling high-register phrases that bubble and melt as efects are intermittently applied. Similarly, its her faint pan-fute-like whispers of Erasure that immediately catch the ear—even as dub-like cascades stream of of this primary line by way of echoes and tweaked overdubs, listeners remain transfxed by Rampersaud's exquisite command of ultra-specifc trumpet techniques. Where others use processing as a means to obliterate the intrinsic timbre of their instruments entirely, Rampersaud almost deploys it like she's making a documentary—cutting between or superimposing various camera angles, crafting transitions, adjusting the tint of the footage, and only judiciously engaging in blatant trickery.

Her capacious repertoire of sounds is mirrored in the remarkably broad scope of the vignette-like compositions themselves. Eruptive cybernetic jazz splatters down right beside a digitally-botched ballad or slices through quivering ambient mists. Sandro Perri, with whom she has worked in several other scenarios, enhances the gentle unruliness of this release wielding his keen ear for mixing and mastering.

Nicole Rampersaud is recognized internationally as a singular improviser. Her adventurous versatility has led to collaborations with notable fgures such as Anthony Braxton, Evan Parker, Ra-kalam Bob Moses, Joe Morris, Roscoe Mitchell, Nate Wooley, Sylvie Courvoisier, Anthony Coleman, Raven Chacon, and Ig Henneman. She's been heard at key venues and festival including Toronto Jazz Festival, Suoni per il Popolo, the Lincoln Center, Carnegie Hall, Massey Hall, Aga Khan Museum, National Art Gallery of Canada, Guelph Jazz Festival, Cornell University’s Symposium - After Experimental Music, and  Göteberg Art Sounds Festival (Sweden). Her primary groups include Brass Knuckle Sandwich (with celebrated pianist Marilyn Lerner), a duo with guitarist Joel LeBlanc, and she co-founded the trio c_RL alongside Allison Cameron and Germaine Liu. She is also a member of Brodie West’s Eucalyptus, and regularly performs and records with Joseph Shabason.  Her compositional output has been commissioned by the EVERYSEEKER Festival (where she was their frst composer-in-residence), Festival RE:FLUX, the Canadian Music Centre's CMC Presents Series and presented by Vale of Glamorgan Festival in Wales, the Festival of New Trumpet Music in New York, and the Suddenly Listen series in Halifax, In 2021, she co-founded the improvisation-driven multi-disciplinary series, Understory, which uses technology to reimagine collaboration between artists across Canada.

Reviewing Toronto's Women From Space Festival for Musicworks Magazine, veteran critic Stuart Broomer said the following of her: “Trumpeter Nicole Rampersaud opened the festival with an expansive exploration of extended trumpet techniques and electronic interaction. Beginning with bird calls and muted forest cries, she employed both standard and soprano trumpet and extensive looping through multiple microphones to create a world of trumpets—lows, highs, and blips—expanding her clarion horn into it’s own soundworld

Recorded by Nicole Rampersaud at home. Produced by Sandro Perri and Nicole Rampersaud. Edited, mixed, and mastered by Sandro Perri. All compositions by Nicole Rampersaud © 2022 SOCAN. Photograph by Nicole Rampersaud. We acknowledge the support of Canada Council for the Arts.

Available here

Website here