Saxophonist and composer Kira Linn is releasing her next album Illusion on April 7th with the renowned English label Whirlwind Recordings. In preparation for the album release Kira is released the single ‘Women To Sky‘ on March 2nd. The single is about female empowerment. “That's why I decided to release the corresponding music video on the occasion of International Women's Day on March 8. I produced the music video very elaborately in collaboration with the director Geraldine Rodriguez and some female dancers“

The new album Illusion, by Kira Linn and her Linntett is an exciting mix of styles, in the context of which the German baritone saxophonist is treading several new paths.

“Over the past two years I listened to a lot of pop, indie, electro, neo-soul and R&B - Billie Eilish, Hiatus Kaiyote or Bon Iver, for example. Accordingly, these influences can also be heard in my new compositions.” Kira Linn

At the same time, Linn does not limit her discoveries to composing, but mixes the big picture with other ideas. For the first time, the trained musician sings and has written her own lyrics for a selection of songs. The instrumental ground for this is provided by the Linntett, which in addition to the Cologne band leader consists of Nino Wenger (as, fl), Christopher Kunz (ts, ss), Lukas Großmann (p, synth), Lukas Keller (eb) and Johannes Koch (dr). Also on board is Italian-German singer Francesca Gaza as co-producer, which gives the whole project an electronic makeover. "Illusion" combines synth, rhodes and electric bass sounds with acoustic elements of alto, tenor and baritone saxophone as well as drums. Soundscapes, noise and overdubs form additional stylistic elements, so to speak, as glitter of this highly interesting body of work. Stephan van Wylick recorded in the Osnabrück studio "Fattoria Musica", Swiss producer Patrik Zosso was responsible for mixing and mastering. The listeners find themselves in the midst of a combination of jazz gestures, neo-soul romanticism and latent-irreverent Nintendo pop - and the lyricism is just as contrary.

“During the Pandemic, many new feelings came up that I hadn't felt before. I also had a lot of time to think about issues like equality and climate protection. I put all these thoughts into lyrics for the first time on "Illusion". Anger and powerlessness, but also strength, diversity and freedom are core concepts that run through the whole album.”

The mentioned states of mind and their consequences can be found on the record in various forms; as extended saxophone improvisations, for example, by means of a one-minute speed song - or simply when Kira Linn sings beguilingly deep about the search for that certain something or the mutual support of women. But also in the design the different values were implemented: bright, strong colors and a bandleader, who takes a new form on every picture, testify to the multifacetedness of the album. However, the following applies: no mirage - everything is real. Just the way Kira Linn and her Linntett like it.

Kira is releasing a music video on International Women's Day on March 8 which we will be sharing on our platforms. Kira produced the music video in collaboration with the director Geraldine Rodriguez.

To follow and support Kira, please visit her website here

Saxophonist, vocalist, composer and band leader Kim Cypher releases another brand-new original track as part of her ‘Brighter Tomorrow’ project – A Tribute to The Arts.

Featuring music born out of lockdown, each piece is written with love and passion for The Arts at a time when musicians were stripped of their livelihood, unable to work and fighting to retain their identity. Each piece expresses overwhelming emotions and feelings from the craziness of the situation, a need for reassurance leading to hope for a brighter tomorrow.

Following recent release of tracks: ‘Gonna Be Alright, Gonna Be OK’ and the beautiful soprano saxophone instrumental ‘Tomorrow’s Song’, Kim presents a stunning, stripped-back acoustic vocal version of ‘Tomorrow’s Song’ featuring one of the UK’s greatest jazz performers Liane Carroll. The track and video recorded ‘live’ at London’s 606 Club releases on 24th February with the video premiere on YouTube at 2.00pm.

Kim recently published an online webzine as part of her ‘Brighter Tomorrow’ project in which she stated:

“It’s good to dream and it’s good to reach for the stars. Having recently recorded an instrumental version of ‘Tomorrow’s Song’, I found myself humming along to the melody line and before I knew it, I was releasing poignant emotions, singing along with some heartfelt lyrics. I could feel the passion in every word I sang. Suddenly I knew I needed to record a vocal version of the song, a stripped-back version, vulnerable and performed with the passion this project deserves. In my mind there was only one lady for the job – A phenomenal performer, a passionate soul, an inspiration and positive role model for The Arts – the incredible Liane Carroll.

Once that seed was planted, I simply couldn’t imagine anyone more perfect to bring my vision to life. So, I followed my dream, reached for the stars and asked Liane if she would record the song with me – just her and me and a whole lot of heart and soul. Guess what? She said YES!”

The track is beautifully captivating and the ‘live’ performance filmed at the 606 Club captures a very special moment between these two heart and soul performers – Kim Cypher and Liane Carroll. You can join the video premiere and view the video (after 24th February) here

To purchase track from Feb 24th, click here

THESE PRECIOUS DAYS is the latest album by New York-based jazz vocalist and radio host MARY FOSTER CONKLIN. The project features mostly women writers in a savory mix of lesser-known jazz and pop tunes, all beautifully rendered by Conklin’s distinctive contralto voice and affective delivery.

THESE PRECIOUS DAYS is her fifth album and follows Crazy Eyes (1998), You’d Be Paradise (2001), Blues for Breakfast (2006), and Photographs (2016). Cadence Magazine said, “As someone who values freshness over music that appears regularly in everyone’s repertoire, Conklin brings to life seldom heard or forgotten songs with meaningful lyrics…Conklin’s versatility, not to mention her eclectic choices, proves she’s her own person, her possible influences being but a component of her totality.”

Conklin has been playing music that celebrates women composers and lyricists on her radio show, called “A Broad Spectrum – the Ladies of Jazz,” since 2016. The program streams online every Sunday on WFDU.FM’s HD2 channel at http://www.wfdu.fm, which is broadcast from Farleigh Dickinson University in New Jersey. She has long been interested in championing women artists, so when the opportunity arose to host her own radio show after the release of Photographs, she jumped at the chance.

The album features top New York musicians, including pianist JOHN DI MARTINO, who wrote all the arrangements, violinist SARA CASWELL, bassist ED HOWARD, drummer VINCE CHERICO, guitarist GUILHERME MONTEIRO, and percussionist SAMUEL TORRES. Like her radio program, THESE PRECIOUS DAYS focuses mostly on women composers and lyricists, but also includes several choice songs by writers whose lyrics reflect the disruption and loss of the past few years.

The seed for THESE PRECIOUS DAYS was planted on a gig she did at Pangea, an intimate East Village club in March 2020. The show featured Conklin on vocals, Di Martino on piano, and, along with her rhythm section, Caswell on violin. The music was centered around neo-cabaret "art songs" written by Jerry Leiber and Mike Stoller, whose legendary rock and roll hits overshadowed a unique catalogue of material first recorded by Peggy Lee on the 1975 cult classic Mirrors.

Unfortunately, that show was their last live performance before the Covid lockdown, but it did give Conklin the time to collect new material while in isolation. In January 2021 she was invited to submit a video performance of “Some Cats Know” as part of the Peggy Lee centennial for the Mabel Mercer Foundation with Di Martino and Caswell, and later that year the trio presented a full set at the Soapbox Gallery in Brooklyn. When Conklin, Di Martino and Caswell went into the studio the following January, they added additional instrumentation for some extra seasoning, and so were joined by her regular rhythm section of Ed Howard and Vince Cherico.

The album opens with “Summertime,” but not the more famous Gershwin song of the same name. This tune was written by Leonard Cohen and Sharon Robinson, a frequent writing collaborator with Cohen. The song’s restless lyrics, like “And I want to drive forever / Wanna roll my windows down / Get the breeze back on my body / Get my feet back on the ground” particularly resonated with Conklin after being sequestered in her Manhattan apartment for many months due to the shutdown.

“Some Cats Know” is a smart, sexy song by Leiber and Stoller from Mirrors which Conklin first performed at Pangea. The Brill Building songwriting team of Barry Mann and Cynthia Weil wrote “Just a Little Lovin,” which appealed to Conklin for its message about the importance of the simple things in life. “Come in From the Rain” is by Melissa Manchester and Carole Bayer Sager, two of the most successful female writers on the pop scene.

Conklin has a special affinity for Beat poet Fran Landesman, having recorded several of her songs on her previous album. “Scars” was composed by Simon Wallace, and Conklin prefaces the song with a Landesman poem The Past Is A Foreign Country. “Just for Now,” was written by Dory Previn and her then-husband, André Previn, set to a samba tempo. “A Little White Ship” is another Leiber/Stoller song from Mirrors which was inspired by Tennessee Williams’ most dreamlike play, Camino Real.

The songs of loss include “Heart's Desire” by Alan Broadbent and the late Dave Frishberg, whom Conklin knew personally. “Rainbow” is an obscure number by Melba Liston and Abbey Lincoln, which Conklin was drawn to by its simple promise of hope. Conklin closes the album with Buffy Sainte-Marie’s “Until It's Time for You to Go” and “September Song” by Kurt Weill and Maxwell Anderson, in memory of her father who died in 2018.

 THESE PRECIOUS DAYS will be released on February 24, 2023 on Mock Turtle Music and will be available everywhere.

Mary Foster Conklin website

Already nominated as “most innovative concert experience of the year” in their homeland of Denmark, hotly-tipped Neo-soul group ‘Tigeroak’ present their debut album ‘Living and Living’ (Feb 24th on April Records).

Denmark’s vibrant scene is among Europe’s finest in its diverse and forward-thinking nature, as displayed in full force by the young group. Led by the duo of Laurits Steen Møberg, an electronic musician, producer, and guitarist, and Anna Prinds, a vocalist and lyrical composer, the music is inspired by underground jazz, hip-hop and neo-soul. Combined with their Nordic roots, the music is crafted with a nuanced palette of sounds and bridges the gap between accessible songs and an experimental jazz spirit. Propulsive grooves, melodic choruses and figurative lyrics grab the attention, but dig a little deeper, and you’ll hear intricate rhythms, complex lines and ear-catching effects.

Recorded at Abbey Road, Living and Angel Studios, ‘Living and Living’ features exceptional modern production which combines warm, jazz musicianship with immersive electronic and atmospheric textures. Thick vocal harmonies, intimate recordings of acoustic instruments, and hard-hitting drum beats effortlessly come together to form a dynamic and immersive sound world.

Tigeroak was selected for Jazz Denmark’s National Jazz Competition and performed twice on the popular national television show DR’s: “Sammen - hver for sig”. Along with their Danish Music Award nomination for “most innovative concert experience of the year” their debut looks to bring their immersive live show to a wider, international audience.

Laurits Steen Møberg | electronics, guitar Anna Prinds | vocals

Martine Bak Toldam | piano, rhodes Peter Marott | trumpet Jakob Marker | drums

Ditte Warrer Bech | Flute

Available here

The upcoming new single from experimental Afro Caribbean female trio Nite Bjuti, featuring acclaimed Grammy-winning musician Val Jeanty. Entitled ”Illustrious Negro Dead”, the powerful song "reclaims this impassioned plea that dignity and legacy of Black artists not die in 'conspicuous forgetfulness' as Black people of all nations continue to face state sanctioned racial violence and hegemonic occupation in Haiti and throughout the Diaspora," confides lead singer Candice Hoyes. Drawing upon the words of cultural pioneer Zora Neale Hurston in her unrequited letter to W.E.B DuBois, the trio found inspiration. Hoyes further foretells, “Although we improvised these words in the studio on Sept 21, they resound this week. Art is meant to break the cycles of oppression and offer new ways of being." 

Featuring intoxicating basslines, eccelctic mystical landscapes, and the significant spoken word prose ”Illustrious Negro Dead”, the song is a poignant and profound musical masterpiece. The track is the second single from their highly-anticipated debut album set for release April 14, 2023.

Nite Bjuti crafts and produces an intentional and freshly intoxicating jazz meets electronica sonic experience, complete with hypnotic vocals, Haitian inspired drums, and soul penetrating basslines. Together, Nite Bjuti has performed at the nationally recognized 'Jazz at Lincoln Center' and has received acclaim from NPR, Earmilk, Jazz Times amongst many others. Thanks for your consideration.

Nite Bjuti is Candice Hoyes, Val Jeanty and Mimi Jones, an evocative improvised trio of Afro Caribbean artists using electronics, vocalism, bass, Haitian drum rhythms, sampling and spoken word to cultivate their narrative journey. They are UMEZ Arts Engagement Grant recipients for their 2022 mixed media installation commissioned by the Schomburg Center for Research in Black Culture, and 2020 recipients of the NYC Women's Fund in Jazz Music to fully fund their forthcoming debut album.  

As inspiration, Nite Bjuti draws from a centuries old Haitian folklore called "Night Beauty,” about a girl whose bones begin to sing in her afterlife, her spirit seeking justice. Nite Bjuti has recently played Nublu Jazz Fest, NYC Winter JazzFest, WBGO live broadcast performance, The Schomburg Center, and Jazz at Lincoln Center. Internationally, they envision their music from concerts at electronic and jazz music venues, museums, cinema and dance and visual art installations. Nite Bjuti plays to rediscover the buried Diasporic beauty in the world, transcendent across generations. Intentionally, they improvise to build layers of intimate community both inside the band and with its audiences. Nite Bjuti debuted at Jazz at Lincoln Center as part of celebrating 2018 International Women’s Day.

Available here

Jazz flute meets hammond organ trio on Isabelle Bodenseh’s “Flowing Mind” (GLM Records) this February, in a celebration of the reinvigoration and relief shared by many after the Coronavirus pandemic.

The period saw the flautist face adversity on two fronts. The first, a total shutdown of performances,  was shared by many. But the virus also caused her to lose her breath, the basis of her craft and livelihood as a flute player. The waves of adrenaline she felt travelling to her first gig post-pandemic released an inner dam, both of creativity (hence the album's name) and by easing her breathing.

Historically the preferred soloist of the classic organ trio lineup has been the tenor saxophone, but Bodenseh’s stylistic idioms and extended flute techniques provide a refreshingly new take on the format. Influenced by her classical training, love for the jazz tradition and time spent in Cuba studying the Afro-Cuban style, the album presents a series of original compositions performed by an ensemble of long-term collaborators and dear friends.

Frequent shifts in texture and mood create the space for each member of the ensemble to make their mark on the record’s voice. Adventurous improvisation, bubbling, laid back grooves and confidently lyrical compositions come together to convey Bodenseh’s sense of joy through embracing her creativity after a long period of darkness.

Isabelle Bodenseh | Flutes Thomas Bauser | Hammond Organ Lorenzo Petrocca | Guitar  Lars Binder | Drums Hilde Singer-Biedermann | Violin (Track 9) Ruth Sarrazin | Cello (Track 9)

Track Listing

1. Confluting
2. ASAP
3. Flowing Mind
4. Molecular Cooking
5. Dog Rose
6. Mediterranean Sea
7. Sans Moi
8. Chilli Challi
9. Flowing Mind (Bonus Track)

Available here